TOP Sexi Celebrity Hollywood: July 2008

Thursday, July 31, 2008

Irina Sheik Truly Perfection of The Body

Irina Sheik young model a few shots in lingerie we must agree that she is truly approaching perfection of the body (which as everyone knows the difference of beauty is completely subjective) .

The Picture body of this 22 years old Russian model.

Bar Refaeli Super sexy in pink bikini

Bar Refaeli is an Israel model,she arrived to do a little sunbathing with a few friends.

The “Session” actress showed up on the French island, sans boyfriend Leonardo DiCaprio, sporting a very saucy hot pink halter-style two-piece bathing suit, turning heads everywhere she went.

Bar Refaeli pictures

Monday, July 28, 2008

Salman Khan invites Katrina Kaif and Akshay Kumar at Dus Ka Dum

Belying all tensions of a three in one real life love tangle, Salman Khan has done the amazing thing for his T.V. show Dus Ka Dum.

He has invited Katrina Kaif , his girlfriend along with Akshay Kumar his rumored competitor in her affections, to star together in an episode of Dus Ka Dum.

Usually Dus Ka Dum invites Couples to star together in the game show. Salman Khan has shown great restraint and an absence of jealousy by inviting the pair of upcoming movie, Singh Is Kinng to his show , paying no attention to personal undercurrent s of jealousy.

Katrina is strongly rumored to be having an affair with Akshay Kumar. But Salman has graciously invited the pair to his show.

Meanwhile, Akshay Kumar , who is currently shooting in Bahamas, has assured Salman that he will take time out to fly down to Mumbai to shoot this special episode for Singh is Kinng.

Courtesy: newsline365.com

Mumbai - Salman is not very happy with the media coverage regarding his and Shah Rukh (SRK) verbal duel.

He believes that a small issue was out proportionately highlighted into a big fight between him and Shah Rukh Khan.

The verbal duel between Salman Khan and Shah Rukh Khan became a big media issue. And why not. The two were not ordinary people fighting out in the open, but two leading Indian film stars who are revered by tens of millions of their fans.

For Salman and Shah Rukh fans, the news was a big let down from the stars they revere so much.

Salman and Shah Rukh Khan fought like any ordinary man on the street before the eyes of hundreds of celebrities in a party that was to celebrate the birthday of none other than Katrina Kaif, the reigning deity of Indian cinema.

Now finally it looks as if Salamn is feeling repentant for the way he behaved after devouring a few glassed of wines. He was the one who initiated the fight and forced SRK into verbal brawl.

For More Click Here

Courtesy: khabrein.info

Money Hai Toh Honey Hai - Bollywood Movie Review

Motwani, Manoj Bajpai, Celina Jaitley; Director: Ganesh Acharya; Rating: *

If you wanna waste your hard earned money to enjoy with your honey seated in the corner seats then only risk watching Money Hai To Honey Hai. Where Ganesh was appreciated for his debut directorial film Swami his second attempt has horribly gone wrong.

Every character of the film is busy fulfilling their dreams. Bobby (Govinda) is a happy go lucky guy, who runs away from home to prove himself. He wants to earn a lot of money and give it back to his father. Shurti (Celina Jaitley) is a fashion designer who wants to design clothes for the common men but she doesn’t even get money for the work she does. Aashima Kapoor (Hansika Motwani) is playing a popular television bahu who has a dream to make it big in Bollywood. Manik (Upen Patel) is a struggling model who sleeps with a middle-aged fashion designer (Archana Puransingh), hoping to make it big. Gaurav (Aftab Shivdasani) is a copywriter in an ad firm who always fails to impress his boss with his ideas. Lalabhai (Manoj Bajpai) plays a man with a positive attitude who is happy even after loosing 1 crore which he had earned through a lottery.

In this way all these characters wants to earn money and one fine day they all get a phone call from a mad man Jaiswal (Prem Chopra) that he has left 1 crore rupees for them before dying. However, their happiness does not last long for the lawyer reveals that there’s a loan of 1,200 crore on the company and they must repay it and until the loan is repaid, they would be kept under house arrest. They plan to repay this loan by doing a fashion show and also get successful in earning this money.

This is the story of the film. But there are many unwanted scenes been filmed. The last half an hour is wasted in a filming a fashion show which was needless. Looking at the climax it seemed as if Ganesh didn’t had any material left to lengthen the duration of the film. As far as acting goes, Manoj Bajpai has been slightly successful in his comic role. Govinda looks in his typical bindaas andaaz. There’s no such brilliant performance from any actor to be talked about and everyone seems to be normal. Yeah, but Mukti Kapoor (Rakhi Vijan) who plays a successful television producer and spoofs soap queen Ekta Kapoor’s real life character has done a good job. But at the same time the way she shouts, more than Ekta she seems to be in a Phulan Devi’s character. In the second half of the film where they are kept in house arrest it feels that we are watching an episode of Big Boss and every character is planning strategies against each other. Manoj Bajpai’s dressing sense could easily compete with the ones worn by the actors of Bojhpuri films. We really don’t know whether Manoj himself has selected his clothes or Ganesh is the culprit behind it.

We also don’t know whether Manoj is aware of the fact that he has wasted his talent working in this film. If we look at his recent films, we feel that Manoj has started getting allergy towards good films.

Ravi Kishen has given good performance in some of the scenes. Over all it’s a mindless comedy in which Ganesh has tried very hard to make the audiences laugh but in vain. Music is ok. The main culprit behind this useless film is the writer Muazzam Beg for scripting such a film as the writer is the first person to visualize any film. And we really don’t know what excited Muazzam Beg to take the pain of penning down this kind of script. To end it, it’s on you whether you want to see this film or not. But we would advice you to save your money and rather go out for a nice dinner with your friends or family.

Rajnee Gupta (SAMPURN)

Courtesy: realbollywood.com

Sania Mirza behind Vidya-Shahid disconnect

Showbiz Desk
Mumbai: Post ‘Kismat Konnection’ Shahid Kapur and Vidya Balan seem to have lost the rapport that they reportedly shared during the making of the movie. According to sources, the couple is no longer on talking terms with each other. Their much hyped bonding appears to have ended with the release of the film.

An industry insider said, “Vidya and Shahid used to tease both of them a lot on the sets of ‘KK’, and even said that they are best-suited for each other. But the couple has not talked to each other after wrapping up the shooting of the film.”

The two were seen behaving very formally at the premiere of ‘KK’, which failed to set the Box Office on fire.

Grapevine has it that the much appreciated Shahid-Vidya pair has drifted apart because of Shahid’s changed attitude towards Vidya, as he is reported to have found a new ‘love’ in tennis superstar Sania Mirza. It seems that now that the movie has released all over and there is not much requirement for publicity, the actor doesn’t want to have rumours of being involved with Vidya anymore.

Sources reveal that poor Vidya, very hurt at Shahid’s coldness, is still trying to figure out the cause of the disconnect. Speculations indicate that Sania, the new romance in Shahid’s life, has asked the actor to cut off all ties with Vidya and Shahid being the obedient boyfriend that he is has been upon it since then.

It seems Vidya has lost out to Sania in this game of love. Looks like Shahid’s again getting dominated by his lady love.

Courtesy: thepost.com.pk

Aziz Mirza says 'Shahid and Vidya look really nice together'

Aziz Mirza started his career as a director on television when he did Circus with Shahrukh Khan in the cast. With his first feature film, Raju Ban Gaya Gentleman in 1992 Aziz Mirza became Bollywood's primary purveyor of working-class romances. It took him 5 years to make his next film Yes Boss; another 3 years to make Phir Bhi Dil Hai Hindustani, and three years later came Chalte Chalte. Now 5 years after Chalte Chalte Aziz Mirza has returned with another romantic comedy Kismat Konnection. Read the interview with the versatile filmmaker.

Times have changed. How much has your cinema changed?
Change is inevitable. 'Woh khansama ka zamana chala gaya'. Nowadays it's the era of fast food. No one is bothered about the delicacies of the eating ritual. Accepting change is important. I've to make my cinema within the given parameters of change. If you notice, Kismat Konnection even has a different kind of music. I've to incorporate today's sensibilities into my own vision. The story remains practically unchanged. But the mode of narration has to change. I'm not here to make great cinema. But I do have a certain literary background and a cultural grounding. That will show up, no matter when I make a film. One change I've made is to make my new film shorter. It's just 2 hours 20 minutes long. My earlier films are longer. Today's audiences don't have patience to sit for leisurely narrations. I can't prolong moments in the narration any longer. And maybe the silences are not that pronounced. Kismat Konnection is also the first film I've shot abroad in Canada. But it doesn't matter where the story is situated. It could've been located in any vibrant metropolitan city.

Would you call it a compromise?
No. I'd call it an acceptance of reality. One needs to work around the limitations. 'Jitna chaadar hai ussi mein banana hai'. My son Haroun, Masha Allah, has contributed tremendously to Kismat Konnection and my previous film, Chalte Chalte. Very soon he'll be directing a film and I'll be helping him out. Theek hai bhai. The young generation has to be pleased. So be it. I had thought I'd make another subject. But I guess it was destined that I make Kismat Konnection. This kept coming back to me. I genuinely feel this film had to be made. Before I realized it, the film was complete.

Did you get the full co-operation of your team?
It becomes so much easier when you're working in an atmosphere conducive to productivity. I do believe when I work on a happy set, the happiness shows in the film. The positive vibes show up. I must thank my film's producer Ramesh Taurani for signing Shahid Kapoor at a time when Vivah and Jab We Met hadn't been released. The film's commercial viability wasn't that high when we started making Kismat Konnection. But I had decided on Shahid. 'Mujhe woh achcha lagta hai'. To give the film a new look we shot it in Toronto. I haven't traveled much. We chose Toronto because it seemed less expensive than US or London. Besides, I wanted the bustle of Mumbai.

People in the industry look on Shahid Kapoor and Vidya Balan as replacement for Shahrukh Khan and Juhi Chawla in your cinema?
We shall leave that to the audience. Every actor has his or her own identity. Anyway, to be compared to Shahrukh and Juhi isn't a bad thing. Shahid and Vidya look really nice together. I was very comfortable working with them. They've brought in their own dimension to their characters. I had made a film about kismet. When I was 14-15, I remember my father telling me that at that age it was foolish to believe in destiny. But as you grow older you are a bloody fool if you don't believe in destiny. Whatever I've achieved today is because of many forces that I had no control over. But in Kismat Konnection, I've shown my characters believe that they can make their own destiny. That's what being young is all about. I've a fortune-teller in the film. But I've made sure she remains an ambivalent character. You never know whether she's a fraud or not.

Do you watch Hindi films?
Occasionally, I do try to catch the important ones. If someone recommends a film, I see it. Among the recent ones, I like Madhur Bhandarkar's Page 3, Tigmanshu Dhulia's Haasil and Anurag Basu's Metro. Ashutosh Gowariker's Jodhaa Akbar was a very sincere film. That's why it worked. I've made a film after five years. After Phir Bhi Dil Hai Hindustani, I didn't want to over-intellectualize my cinema. My name is attached to Kismat Konnection. Whatever I've done for television till today, I've nothing to be ashamed of. It may not be exceptional work. But it's decent work. Where are the exceptional films today like V Shantaram's Do Aankhen Barah Haath, which have withstood the test of time? I'm just happy making logical cinema. I'm not aspiring to greatness.

Courtesy: entertainment.oneindia.in

Sunday, July 27, 2008

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